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Splattermonkey
Genre: Electronic Category: Audio, Features
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Incredible Bongo Breaks
or a new Toronto genre as defined by Splattermonkey.

Back in the early 90′s there were a whole whack of DJ’s and producers making new forms of dance and club music based on famous drum breaks from funk and soul songs from the 60′s and 70′s. The Winstons’ 1968 single “Color Him Father” backed by the super fast and funky “Amen Brother” contained a five second drum break that laid the foundation for Jungle music which evolved into Drum and Bass. James Brown’s “The Funky Drummer”, the James Brown Produced “Think (about it)” by Lynn Collins and the lesser known “Sing Sing” by Gaz gave us a couple of short drum breaks that were incorporated to lay the foundation of what is known as B-More Club, Ghetto House, Ghetto Tech, and B-More. Back in 2006 Switch produced a track called “A Bit Patchy,” that sampled The Incredible Bongo Band`s “Apache” and I was sure this was going to develop in to a new form of club music and much to my surprise it didn’t. Until now.
I’m putting out a call to all Toronto based producer, promoters, club owners and D.J.s to make it happen starting with this remix of Dario Nunez and DJ Nano’s Tribal House Track “Da Hasta” by Toronto based producer John Roman. A “new genre” of dance music that is based on a 1973 album by Michael Viner’s Incredible Bongo Band called “Bongo Rock”. If you’re familiar with this album than you know that it doesn’t come short of dope drum breaks to sample.
It’s no secret that Dance music labels have been signing Toronto based dance music producers left right and center. Parkdale has been the hub of all this action in the past couple of years based on the success of clubs like The Social, The Drake Hotel, The Gladstone Hotel and Wrongbar. Wrongbar also has a kick ass sound system that could totally help this movement and finally put Toronto in to the history books as not only a fantastic place to party, but the location where a “new genre” of dance music was born. Maybe I’m tempting fate or jumping the proverbial gun with this but I think that, because the Incredible Bongo Band’s album was produced in Canada, we can take that as an excuse to proliferate it for all it’s worth and turn this funky album in to a new genre of dance music that finally puts Toronto in to the history books forever. The only thing left to do is give this new genre a name. Maybe “Toronto Half-Step” or “Toronto Funk” how about “Parkdale Club?” I’m looking for suggestions. Let’s go! Let’s do this. Who’s with me?
Splattermonkey
Michael Viner's Incredible Bongo Band - Apache.mp3
Michael Viner's Incredible Bongo Band - Bongolia.mp3
Switch - A Bit Patchy (Original Mix).mp3
Dario Nunez - Da Hasta (John Roman Bongolian Half-Step Remix).mp3
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It’s about time Toronto had a movement. We’ve got so much talent that gets overlooked globally. I believe it can be done considering the scene. I can only hope.
people have been sampling apache since the first sampler came out. how are you going to say switch started a new genre with it?
@Splattermonkey Really interesting and entertaining article man. You have a knack for contextualization, and placing music in historical perspective. I always love to hear music that stuff was sampled from or inspired by. Thanks a lot!
@doug this is an area of music that I’m not too informed about so I don’t want to put words in Splattermonkey’s mouth, but I’m guessing he might say that just because people sampled apache before doesn’t mean that they sampled it in a certain way. What I mean is, I’m not sure what the differences he might identify are, but it seems to me that, generally speaking, some listeners define subgenres of music much like they do dialects of language – based sometimes on very subtle differences. This was a pretty provocative piece though, so you may not be off base here
@Never2Hollywood Couldn’t agree with you more brother
Hey Doug,
I see your point about people sampling Apache since the inception of the sampler, but for the most part, other producers would just take the intro break and loop it or the song would sound more like a cover i.e. Sugarhill Gang’s “Apache (Jump on it”)etc. When Switch did “A Bit Patchy,” he took those drum hits and turned them into more of a Dancehall/Reggaeton rhythm. Which blew my mind. John Roman looped the intro break to Bongolia and arranged the vocal calls to sound more like a mid 90′s Breakbeat piece reminiscent of Fat Boy Slim. My thought was that, if enough producers, from the same geographical location, sampled the same type of drum breaks, in a similar fashion, enough times, then people will start to identify that particular sound as a separate genre or sub-genre of dance music. It was a thought I had a few years back and threw around to a bunch of local producers but, until now, no one put anything out that fit into that mold. I got a little excited when I heard John’s remix and decided to write an article based on the idea that I had a few years back. As far as I’m concerned, The Incredible Bongo Band isn’t sampled enough in modern dance music and I’m just trying to point this incredible wealth of drum samples out to young producers. Many of whom read this blog.
Time will tell on this one.
i see what your saying. kinda like drum n bass and the amen. but drum n bass has more definable qualities than that break i would say. so if this new genre is just house music with some bongos i dont think its really anything new. and the fact that someone is chopping apache just isnt that interesting to me. is the fact that he chopped apache more interesting than someone who played the bongos or chopped it from a noname record? i think that regional styles are mostly going by the wayside in every form of art. i think the only purpose for making up some subgenre for your cities sound is marketing, like “no man, he doesnt make house he makes Teedot, its like house but it has bongos and is blowing up the clubs!” -> next conversation ” yea house was big last year but this year is all about Teedot.”
actually maybe we should do that…
i guess genres are just stupid anyways
there shoudl only be 3 genres: listening music, dance music, and fightn music
awesome article. comments have been a great read too…ill be passing this one around
Hey Doug,
You pretty much summed it up in a nutshell. I just didn’t realize it sounded so douchey until you put it into context. I was fascinated by the fact that Baltimore got put into the dance music history books by mass producing house music that sampled the same three drum breaks over and over. To me it sounded so simple and I couldn’t quite understand it’s mass appeal. Jungle and the amen was a movement that I really understood, but when B-more became so popular I was like “shit, Toronto could do the same thing.” I chose The Incredible Bongo Band because well, I love that fuckin’ album and there is something about that “Apache” break that makes people, including me, lose their shit on the dance floor. As Douchey as you made it sound, I still don’t think it’s a pretty good idea. Toronto needs a movement. Something that doesn’t get lumped in with sounds coming out of Paris, Brooklyn, Montreal, London, Miami or Detroit. Right now it seems that there are enough fantastic producers in this city capable of creating great dance tracks of all different styles and genres, but there is nothing coming out of this city that is different enough to be considered the Toronto “Sound.” Suggesting the proliferation of a drum break, much like B-More did with “Funky Drummer”, and “Think”, seems like the most logical way to do it.
Thanks for discussing this with me. You’ve helped me realize exactly why I wrote this article in the first place. I just hope, if my suggestion is taken seriously, it won’t ruin the “Apache” break for me. I’m sure it won’t because I still love to listen to “Funky Drummer” and “Think” even though I’m not really a fan of B-More.
P.S. I know you were quoting some film or something but, may I suggest adding Loving music and Fucking music to your list of genres.
Peace
Splattah
apache is a classic, i used to breakdance a bit, moreso watched other people who were good and apache is like the best track for it, 6 steppin to those bongos always looks crazy. but basically what youre saying is that you want to be proud of toronto for having a sound that people can say is a toronto sound. i just think thats kind of shallow, its like sports, your proud of other peoples accomplishments just because theyre in your city like “woohoo we won!!” no…they won you watched(seinfeld). also if the so called NEW sound is just sampling apache its not really worthy to me of being that proud of. maybe if there was a real movement like a new culture with its own music that could be something to be proud of, like hiphop and new york, or chicago and being gay. something where there is more than just sampling a well known drum break. lets face it all this would be is a marketing strategy so people can talk about this new genre and maybe pretend like its their favorite music to try and be more of an individual. facebook info-> favorite music: greenwich village folk music, fidget house, aboriginal spoken word, and Teedot. observers reaction”wow what an intersting person” ->authenitsity achieved.
ps i didnt get the 3 genre thing from a movie or anything. i did consider those two you suggested but i think they fall into the 3. loving music can be listening music or dance music, and fucking music can be any of the 3 depending on how you fuck.
btw im finding this getting quite interesting and it would be cool if this turned into a much bigger discussion.
Good call. I couldn’t agree with you more. So, I’ve decided that I’m buying a sampler and I’m gonna’ start sampling Incredible Bongo Band as much as possible and create some dance moves to go along with it. I’m also going to invent a new type of visual art that compliments the album and start dressing in a style that compliments all of the above. That way I can start my own movement and culture and call it Splattermonkey. I can also be proud of it because it’s mine.
Then I will later grow to detest it when everyone starts getting into it and the corporations realize that it is profitable and the media distorts it and makes it seem like it was all about the money when, really, it was all about the Bongo Band!
Seriously.
BTW I’ve always associated Chicago with Blues culture. Big City Blues as opposed to Blues Country which I associate with the Mississippi Delta and Gay culture with San Francisco. Although Toronto is slowly becoming more gay than Frisco which I am very proud of even though I’m not gay. I guess that makes me shallow. Either that or a closet homosexual.
i was referring more to the start of house music in chicago.
toronto is pretty gay too, just look at this blog, hah.
i say we just take another music and make it torontos, i suggest dubstep. lets snatch that shit up! we almost did it with jungle in the 90s, i think this time we can make it happen. we’ve learned from our mistakes. or how bout crunk? lets bring it back toronto style (add some bongos maybe?) AWWWKAAAYYYY!!