conor i enjoyed the song and i am not the only one thats what matters

Being the fourth to post on this track I was pretty surprised to read all these comments.I could do a bunch more @’s but I won’t – well, just one.

@Conor Cutz – though you haven’t posted on this I thought I might as well just leave a note in case you do. You have a great idea remixing wonderwall, not surprisingly this track got a tonne of hype. Things I think you could improve on would be, for one thing, adding in a melodic & quick bass line to this track, the typical few note bass line most electro tracks have just wouldn’t work because of the structure of the looped samples and repetitive effects. And as for your producing on the whole, one thing I’ve really noticed that I thought I would just comment on is your overall style. I’m not too sure if it’s what you’re aiming for, but what I’ve noticed is your style of producing sounds kind of like a progressive electro? Again, maybe this is what you’re going for, and apparently a lot of people dig it, but I kind of feel like you need to structure your tracks better.
Meaning, bringing in a couple melody lines right out of the gate is fine – and definitely more prominent these days than the classic straight four to the floor beat – openings of a couple years ago (and predominant in the more house-y scene), but you keep those individual melodies going to long. You know what I mean? It’s like your songs are all done by a barbershop quartet, and the chorus is being sung in cannon repetitively. - granted there are a couple of interesting and appealing breaks & drops here and there, maybe a quick change-up in the melody, but on the whole it just keeps building and building, without really generating much anticipation — does that make sense?
Haha, anyway, thought I might just give you some feedback, keep doing what you’re doing, experiment, and don’t let male dj’s who apparently have everlasting menstruation get you down.